So How Did This Mediterranean Herb End Up in England? I was curious to see if I could find a route that these motifs might have followed from the East to the West. So, I continued my research with the Greek, Alexander the Great, who defeated the Persians in 333 B.C., he then turned to Egypt who welcomed him. After his death in 323 B.C., Ptolemy, the son of one of Alexander's bodyguards declared himself Pharaoh of Egypt. The Ptolomies, Greek-Egyptians, ruled Egypt from 323 to 30 B.C. The Ptolemies created reasonable tariffs, and they fostered trade among their coastal cities. Cleopatra was the last pharaoh of the Ptolemies and after her death Rome ruled Egypt. Egypt was the bread basket of the Roman empire. Egypt was taken over by an Islamic dynasty, Abbasid. The Abbasid era from 762 and onward with Baghdad as its captial and its religion Muslim, Egypt eventually became a Muslim country. The Fatimid era from 969 to 1171 was stable with trade that sailed to Sicily and Spain and the Italian city states from two Egyptian harbors, Alexandria and Tripoli. Roman scrolls have been found in Africa that write of a way to travel to India using the trade winds around the Low pressure area that is usually in the Indian Ocean between the African Rift Valley and India. The National Geographic has an article in its June 2009 magazine with details of a 'Maritime Silk Route' from Basra in Iraq to Khambat India, to Sri Lanka, to Banda Aceh, to Singaproe and Guangzhou, China that was used by a Ninth-century Arab dhow. The ship wreck was discovered in Southeast Asia laden with Tang dynasty gold, silver and tradeware Chinese ceramics. The dishes were made in Chinese factories with the cobalt for the blue and white ceramics imported from Iran. Cloth trade is first documented between Egypt and Europe in the Fatimid era. Married Egyptian women embroidered clothing for export to Europe, this practice was acceptable as they could stay home and there were women agents to pick up and deliver the materials. We know this from marriage contracts and other personal correspondence from that time found in the Old Cairo Geniza. The Crusaders captured Jerusalem in 1066 and in turn they were defeated by the Ayyubid who ruled Persia and Egypt from 1171 until 1249. The Ayyubid's were distant rulers who used mamluks or slaves to rule Egypt. The mamluks were purchased Turkoman slaves from east of the Caspian Sea and Circassian slaves from the Caucasus Mountains, between the Black Sea and the Caspian Sea (this definition of Mamluks is from the Library of Congress Country Studies). Although slaves, the mamluks were paid for their services by their masters. Eventually they formed two ruling dynasties in Egypt, the first Mamluk Dynasty began in 1250. The second ended in 1571. Research of these Egyptian eras revealed that elements of modern Hardanger were being used then.

 

This Mamluk band from the 13th century has Hardanger elements: Klosters, Dove's Eyes and withdrawn threads.

The fabric threads were cut away from the Satin stitches in each block. Dove's Eyes were added in some of the blocks as shown.

I have used this remnant as it best displays the elements similar to Hardanger and each Egyptian era used these elements.

These elements of Hardanger began to appear in Europe. Some of the religious embroideries from Lower Saxony in Europe dated from the 12th and 13th century have similar techniques and stitches as modern Hardanger. A translation of Kloster, a key element of Hardanger, is convent or monastery in German. So it is not surprising that some of the oldest European examples of drawn thread are in religious communities.

 

This embroidery, 13th century, has a drawn thread grid .

 

 

Another different type of drawn thread embroidery from the 15th century was also from Lower Saxony. You can see the familiar Hardanger grid and there are Persian type motifs dotting it.

It is easy to see how stitching bands developed, they were records of stitches and they could embellish clothing. I have included a couple of examples if you would like to try Hardanger.

Click on the picture for a link to the chart and information on how I did this band.

And if you needed a finish like the point, click on the picture for a link to the chart. Continuing, the mamluk band was the type of design that arrived in Europe from Egypt. Clothing in medieval Europe was a constant problem as wool, the principle material for cloth, did not last because of moths or rats. Leather fostered skin problems like leprosy. Leprosy is caused by a bacterium closely related to tuberculosis, and while leather did not give the wearer the disease the moist environment it causes when worn against human skin does foster the development of the disease. Egyptians had harvested vegetable fibers for a very long time, they had lots of cloth and clothing and could produce even more. Second hand clothing was valued as it was the major asset of most Islamic households. It was used for loan guarantees and short term loans, and it was often mentioned in a woman's marriage contract as a personal asset that she would bring to the marriage. It is easy to see that a trade would develop between Europe and Egypt, as one country needed the fabric that the other had in abundance. An interesting side note is that the Egyptians were amazed at the indiscriminate purchases of the Europeans as they paid the same for poor quality linen as they did for the best quality linen. The meaning of this from another point of view is that Egyptian cloth of any quality was valuable to medieval Europeans. So, how did this leave the Orient? The Europeans wanted to produce fabric as well. The enterprising citizens of Venice were able to produce the fabric by purchasing trading rights with Greece. During the Middle Ages the Byzantium empire controlled Egypt and most of Greece but it was poorly financed. They allowed the Europeans to use the Greek Islands by selling trading rights to them. Chios, a Greek island, became the center of European trade. The English established the Levant Company of Turkey Merchants and the Venetians had a shipping route from Zara to the Caucasus to the Nile delta. Furthermore, Roderick Taylor in his book Embroidery of the Greek Islands states that "the contact between the Italian republic, Egypt, Syria and the Greek Islands made the movement of designs and styles very simple: patterns from Egypt passed through the Greek Islands into Italy and throughout Europe. Much of the . . .pattern designs can be traced to the Mamluks." Next Page ©2000 Linda Fontenot. All Rights Reserved, you may not copy in any manner any portion of this article, other than a personal copy for the individual. www.AmericanFolkArts.com and www.OvertheMoonDesigns.com